Straw Dogs ВЂ“ Wer Gewalt SГ¤t Verantwortlich für den Inhalt & Realisierung

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straw dogs – wer gewalt sät

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Straw Dogs ВЂ“ Wer Gewalt SГ¤t Video

Straw Dogs - Trailer

Amy Peter Vaughan Tom Hedden T. John Scott Del Henney Charlie Venner Jim Norton Chris Cawsey Donald Webster Riddaway Ken Hutchison Norman Scutt Len Jones Bobby Hedden Sally Thomsett Janice Hedden Bob Keegan Harry Ware Peter Arne John Niles Cherina Schaer Louise Hood Colin Welland Learn more More Like This.

Bring Me the Head of Alfredo Garcia Action Crime Drama. Marathon Man Crime Thriller. The Getaway Action Crime Thriller.

A recently released ex-con and his loyal wife go on the run after a heist goes awry. The Wild Bunch Action Adventure Western.

Straw Dogs Action Drama Thriller. Biography Drama Western. Deliverance Adventure Drama Thriller.

Cross of Iron Drama War. The Ballad of Cable Hogue Comedy Drama Romance. The French Connection All the President's Men Biography Drama History.

Midnight Cowboy Edit Storyline Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction.

Taglines: Sometimes a man is forced to defend his honor. Edit Did You Know? Kill 'Em! Goofs In the scene where David is taken duck shooting, he fires his gun into the air at ducks flying overhead.

We see ducks flying to the right and straightaway to the left. It is the same film reversed. Quotes [ last lines ] Henry Niles : I don't know my way home.

David Sumner : That's okay. I don't either. This Criterion edition was limited to a one-year print run and the packaging carried a "Limited Edition" sticker,the only one of Criterion's releases to do so.

Was this review helpful to you? Yes No Report this. Language: English. Runtime: min min uncut.

Sound Mix: Mono. Edit page. Clear your history. David Sumner. Charlie Venner. Chris Cawsey. Norman Scutt.

It is, I think, a better picture than 'The Wild Bunch,' less ritualistic and less appallingly graphic in its violence, and in fact less cynical.

Among later assessments, Entertainment Weekly in wrote that the contemporary interpretation was that of a "serious exploration of humanity's ambivalent relationship with the dark side", but it now seems an "exploitation bloodbath".

Along with Stanley Kubrick 's A Clockwork Orange , Straw Dogs stands as a transgressively violent, deeply '70s film; one that still retains its power to shock after all these years.

The consensus reads: "A violent, provocative meditation on manhood, Straw Dogs is viscerally impactful -- and decidedly not for the squeamish".

The film was controversial on its release, mostly because of the prolonged rape scene that is the film's centerpiece. Critics accused Peckinpah of glamorizing and eroticising rape and of engaging in misogynistic sadism and male chauvinism , [28] especially disturbed by the scene's intended ambiguity—after initially resisting, Amy appears to enjoy parts of the first rape, kissing and holding her attacker, although she later has traumatic flashbacks.

Author Melanie Williams, in her book, Secrets and Laws: Collected Essays in Law, Lives and Literature , stated, "the enactment purposely catered to entrenched appetites for desired victim behavior and reinforces rape myths ".

The violence provoked strong reactions, many critics seeing it an endorsement of violence as redemption, and the film as fascist celebration of violence and vigilantism.

Others see it as anti-violence, describing the bleak ending consequent to the violence. Dustin Hoffman viewed David as deliberately, yet subconsciously, provoking the violence, his concluding homicidal rampage being the emergence of his true self; this view was not shared by director Sam Peckinpah.

The village of St Buryan was used as a location for the filming with some of the locals appearing as extras. Local author Derek Tangye reports in one of his books that they were not aware of the nature of the film at the time of filming, and were most upset to discover on its release that they had been used in a film of a nature so inconsistent with their own moral values.

The film had been released theatrically in the United Kingdom, with the uncut version gaining an 'X' rating in and the slightly cut US R-rated print being rated '18' in In March a partially edited print of Straw Dogs , which removed most of the second rape, was refused a video certificate when the distributor lost the rights to the film after agreeing to make the requested BBFC cuts, and the full uncut version was also rejected for video three months later on the grounds that the BBFC could not pass the uncut version so soon after rejecting a cut one.

This version was uncut, and therefore included the second rape scene, in which in the BBFC's opinion "Amy is clearly demonstrated not to enjoy the act of violation".

The cuts made for American distribution, which were made to reduce the duration of the sequence, therefore tended paradoxically to compound the difficulty with the first rape, leaving the audience with the impression that Amy enjoyed the experience.

The Board took the view in that the pre-cut version eroticised the rape and therefore raised concerns with the Video Recordings Act about promoting harmful activity.

The version considered in is substantially the original uncut version of the film, restoring much of the unambiguously unpleasant second rape.

The ambiguity of the first rape is given context by the second rape, which now makes it quite clear that sexual assault is not something that Amy ultimately welcomes.

From Wikipedia, the free encyclopedia. Straw Dogs Theatrical release poster. David Zelag Goodman Sam Peckinpah. Dustin Hoffman Susan George.

United Kingdom [1] United States [1]. British Film Institute. Retrieved American Film Institute.

Retrieved May 7, British Board of Film Classification. Retrieved October 24, The A. GDP Then? Retrieved April 6, The Chicago Sun-Times.

Retrieved February 6, — via rogerebert. The New York Times. Retrieved February 16, December 31, Retrieved February 6, The Washington Post.

B1, B7. December 19, Los Angeles Times. Calendar, p. Chicago Tribune. Part II, p. Entertainment Weekly.

January 10, Slant Magazine. Arkansas Democrat-Gazette. Rotten Tomatoes. Retrieved September 30, Archived from the original on Retrieved 5 July Films directed by Sam Peckinpah.

Categories : films English-language films s thriller drama films independent films s psychological thriller films ABC Motion Pictures films American films American thriller drama films American psychological thriller films British films British thriller drama films Films about psychopaths Films based on British novels Films directed by Sam Peckinpah Films scored by Jerry Fielding Films set in Cornwall Films shot in England Home invasions in film Obscenity controversies in film Rape and revenge films drama films.

Namespaces Article Talk.

Straw Dogs ВЂ“ Wer Gewalt SГ¤t Video

Straw Dogs 1972 German Ganzer Filme auf Deutsch

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Again, it is that building up of tension that makes 'Straw Dogs' such a powerful experience. It's easy to create controversy with sex and violence; but many years later that initial shock fades, and the real test is whether or not the film stands the trial of time and still manages to shock and engross.

Love it or hate it, it's hard to deny that it's an important and influential film, and it's essential viewing for any film lover.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A young American and his English wife come to rural England and face increasingly vicious local harassment.

Director: Sam Peckinpah. Available on Amazon. Added to Watchlist. From metacritic. Movies of and Beyond. Best Of When the Locals Attack.

Share this Rating Title: Straw Dogs 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Most Intense Sam Peckinpah Film? Nominated for 1 Oscar. Edit Cast Complete credited cast: Dustin Hoffman David Sumner Susan George Amy Peter Vaughan Tom Hedden T.

John Scott Del Henney Charlie Venner Jim Norton Chris Cawsey Donald Webster Riddaway Ken Hutchison Norman Scutt Len Jones Bobby Hedden Sally Thomsett Janice Hedden Bob Keegan Harry Ware Peter Arne John Niles Cherina Schaer Louise Hood Colin Welland Learn more More Like This.

Bring Me the Head of Alfredo Garcia Action Crime Drama. Marathon Man Crime Thriller. The Getaway Action Crime Thriller.

A recently released ex-con and his loyal wife go on the run after a heist goes awry. He responds by withdrawing deeper into his studies, ignoring both the hostility of the locals and Amy's dissatisfaction.

His aloofness results in Amy's attention-gathering pranks and provocative demeanor towards the workmen, particularly Venner. David even struggles to be accepted by the educated locals, as shown in conversation with the vicar, Reverend Barney Hood, and the local magistrate, Major John Scott.

When David finds their missing cat hanging dead in their bedroom closet, Amy reckons Cawsey or Scutt is responsible. She presses David to confront the workmen, but he is too intimidated to accuse them.

The men invite David to go hunting the following day. They take him to a remote location and leave him there with the promise of driving birds towards him.

She resists at first, then submits. After, Norman Scutt enters silently, motions Venner to move away at gunpoint and rapes Amy while Venner reluctantly holds her down.

David returns much later, smarting from the practical joke the men pulled on him. Amy, though clearly upset, says nothing about the intruders and what they did to her, apart from a cryptic comment that escapes his attention.

The next day, David fires the workmen, ostensibly for their slow progress. Later, the Sumners attend a church social where Amy becomes distraught on seeing her rapists.

They leave the social early, driving through thick fog, and accidentally hit Henry Niles. They take him to their home and David phones the local pub to report the accident, not knowing that Niles had just killed Janice, strangling her in a panic when she tried to seduce him.

Hedden, now searching for her, learns that she was last seen with Niles, and from David's phone call is alerted to Niles's whereabouts.

Inferring their intention to lynch Niles, David refuses to let them take him despite Amy's pleas. The standoff seems to unlock a territorial instinct in David: "I will not allow violence against this house.

Major Scott arrives to defuse the situation, but is accidentally shot dead by Hedden during a struggle. Realizing the danger in witnessing this homicide, David improvises various makeshift traps and weapons, including boiling oil, to fend off the siege.

David inadvertently forces Hedden to shoot his own foot, knocks Riddaway temporarily unconscious and bludgeons Cawsey to death with a poker.

Venner holds him at gunpoint, but Amy's screams alert both men when Scutt assaults her. Scutt suggests Venner join him in another gang rape , but Venner shoots him dead.

David disarms Venner and in the ensuing fight snaps an ornamental mantrap around Venner's neck, killing him. Watching the mayhem around him and surprised by his own violence, David mutters to himself, "Jesus, I got 'em all.

David gets into his car to drive Niles back to the village. Niles says he does not know his way home. David says he does not either.

Produced by Daniel Melnick, who had previously worked with Peckinpah on his television film Noon Wine , the screenplay began from Gordon Williams ' novel The Siege of Trencher's Farm , [11] with Peckinpah saying "David Goodman and I sat down and tried to make something of validity out of this rotten book.

We did. The only thing we kept was the siege itself". Peckinpah insisted on George, a relatively unknown actress in the US at that time.

Williams' novel The Siege of Trencher's Farm relies on shock and violence to tide it over weakness in development, shallow characterization and lack of motivation.

For the first time Peckinpah really seems to be specializing in violence rather than exploring its effects and meanings I would have walked out of 'Straw Dogs' at several points if I'd been anything but a professional critic.

Other reviews were positive. Paul D. Zimmerman of Newsweek stated, "It is hard to imagine that Sam Peckinpah will ever make a better movie than Straw Dogs.

It flawlessly expresses his primitive vision of violence — his belief that manhood requires rites of violence, that home and hearth are inviolate and must be defended by blood, that a man must conquer other men to prove his courage and hold on to his woman.

Peckinpah creates a mood of impending violence with great skill. It is, I think, a better picture than 'The Wild Bunch,' less ritualistic and less appallingly graphic in its violence, and in fact less cynical.

Among later assessments, Entertainment Weekly in wrote that the contemporary interpretation was that of a "serious exploration of humanity's ambivalent relationship with the dark side", but it now seems an "exploitation bloodbath".

Along with Stanley Kubrick 's A Clockwork Orange , Straw Dogs stands as a transgressively violent, deeply '70s film; one that still retains its power to shock after all these years.

The consensus reads: "A violent, provocative meditation on manhood, Straw Dogs is viscerally impactful -- and decidedly not for the squeamish".

The film was controversial on its release, mostly because of the prolonged rape scene that is the film's centerpiece.

Critics accused Peckinpah of glamorizing and eroticising rape and of engaging in misogynistic sadism and male chauvinism , [28] especially disturbed by the scene's intended ambiguity—after initially resisting, Amy appears to enjoy parts of the first rape, kissing and holding her attacker, although she later has traumatic flashbacks.

Author Melanie Williams, in her book, Secrets and Laws: Collected Essays in Law, Lives and Literature , stated, "the enactment purposely catered to entrenched appetites for desired victim behavior and reinforces rape myths ".

The violence provoked strong reactions, many critics seeing it an endorsement of violence as redemption, and the film as fascist celebration of violence and vigilantism.

Others see it as anti-violence, describing the bleak ending consequent to the violence. Dustin Hoffman viewed David as deliberately, yet subconsciously, provoking the violence, his concluding homicidal rampage being the emergence of his true self; this view was not shared by director Sam Peckinpah.

The village of St Buryan was used as a location for the filming with some of the locals appearing as extras.

Local author Derek Tangye reports in one of his books that they were not aware of the nature of the film at the time of filming, and were most upset to discover on its release that they had been used in a film of a nature so inconsistent with their own moral values.

The film had been released theatrically in the United Kingdom, with the uncut version gaining an 'X' rating in and the slightly cut US R-rated print being rated '18' in In March a partially edited print of Straw Dogs , which removed most of the second rape, was refused a video certificate when the distributor lost the rights to the film after agreeing to make the requested BBFC cuts, and the full uncut version was also rejected for video three months later on the grounds that the BBFC could not pass the uncut version so soon after rejecting a cut one.

This version was uncut, and therefore included the second rape scene, in which in the BBFC's opinion "Amy is clearly demonstrated not to enjoy the act of violation".

The cuts made for American distribution, which were made to reduce the duration of the sequence, therefore tended paradoxically to compound the difficulty with the first rape, leaving the audience with the impression that Amy enjoyed the experience.

The Board took the view in that the pre-cut version eroticised the rape and therefore raised concerns with the Video Recordings Act about promoting harmful activity.

Watching the mayhem around him and surprised read more his own violence, David mutters to himself, "Jesus, I got 'em all. Dustin Hoffman Susan George. The Chicago Sun-Times. Janice Hedden Bob Keegan David Sumner Susan George Charlie Venner. Amy's ex-boyfriend Charlie Venner, along with his cronies Norman Scutt, Chris Cawsey, go here Phil Riddaway, immediately resent that the meek outsider has married one of their. The men invite David to go can strike blood above the following day.

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